Text

Classic derailing!

georgethecat:

 I’m a woman and I didn’t feel this was sexist!!!!!! therefore it’s NOT and I liked it so stop talking about it GOD

YOU JUST DON’T UNDERSTAND LIZ

IF *I* DON’T FIND IT SEXIST, NO ONE SHOULD!!!1!

Seriously though, part of what pissed me off about Red Hood and the Outlaws was that the side effect of what they did with Starfire, made Jason Todd and Roy Harper turn into people who weren’t the good guys they used to be. Obviously, you can argue the whole villain/anti-hero/hero angle with Jason, but as you’ve often pointed out, he’s always treated women well (and not in a condescending chivalrous manner either, I’d say).

The whole thing with Kory/Kori not remembering anything giving off vibes of amnesia that raise the question of consent, and seeing Jason and Roy basically high-fiving over this “opportunity” with her. It felt creepy and really sketchy.

They went from being characters and men I regarded as good-at-heart and, IDK, “safe”, to people I wouldn’t want to be alone in a room with, you know?

It hurt all three characters, so I don’t get where people are coming from when complaining about FYJT addressing problems with the comic, because those problems affect Jason too.

Video

northstarfan:

Related to that last post.

And this song is going to be in my head all day now.

I can’t not love this song.

Photo
feministdisney:

iphysianthe:

feministdisney:

haha Mary Poppins movie! 

we watched this in my gender studies class the other day! our prof  said that this song was a really good commentary on first wave  feminists- mrs banks is singing about how wonderful it will be for women  to be able to vote and work and have a say in things, all while totally  ignoring her nanny, who is trying to quit.
basically first wave feminism was a movement headed by well off white  ladies, and while they made a lot of headway and made some pretty huge  gains, it wasn’t terribly inclusive and left a lot of women in the dust.

^ smart words

feministdisney:

iphysianthe:

feministdisney:

haha Mary Poppins movie! 

we watched this in my gender studies class the other day! our prof said that this song was a really good commentary on first wave feminists- mrs banks is singing about how wonderful it will be for women to be able to vote and work and have a say in things, all while totally ignoring her nanny, who is trying to quit.

basically first wave feminism was a movement headed by well off white ladies, and while they made a lot of headway and made some pretty huge gains, it wasn’t terribly inclusive and left a lot of women in the dust.

^ smart words

(via northstarfan)

Text

TELL ME SOMETHING I HAVEN’T HEARD

(This is to accompany this. Since apparently text-cuts don’t work in photo posts! Uhg, tumblr, why?!)


For a larger version of this image, go here.

About halfway through drawing this, I realized what I had created was effectively a Bingo Card, but perhaps a slightly more emotive one. So I’ll explain a bit of what’s behind it.

I first got into comics through feminist criticism of comics. I’m a feminist. And I love comics. The two things for me are inseparable, and I make no apologies for it. Both are a part of who I am. I’m also a fan of superheroes and superhero comics.

When it comes to discussions about women in comics, sexism in superhero comics, and so forth, I’m always reading, sometimes linking, and commenting a bit here and there. If you pay attention for a while as a female (and possibly feminist) comics reader, and/or superhero fan, you start to hear the same things over and over again. It becomes predictable and repetitive pretty quickly.

Below I’ve expanded on what I’m talking about. It’s lengthy, so it’s behind a text cut.

Read More

Photo
TELL ME SOMETHING I HAVEN’T HEARD
About halfway through drawing this, I realized what I had created was effectively a Bingo Card, but perhaps a slightly more emotive one. So I’ll explain a bit of what’s behind it.I first got into comics through feminist criticism of comics. I’m a feminist. And I love comics. The two things for me are inseparable, and I make no apologies for it. Both are a part of who I am. I’m also a fan of superheroes and superhero comics.When it comes to discussions about women in comics, sexism in superhero comics, and so forth, I’m always reading, sometimes linking, and commenting a bit here and there. If you pay attention for a while as a female (and possibly feminist) comics reader, and/or superhero fan, you start to hear the same things over and over again. It becomes predictable and repetitive pretty quickly.
Below I’ve expanded on what I’m talking about. It’s lengthy, so it’s behind a text cut.
EDIT: apparently “read more” text cuts don’t work on photo posts, so the full thing is HERE. Oh tumblr, you difficult thing, you.

TELL ME SOMETHING I HAVEN’T HEARD

About halfway through drawing this, I realized what I had created was effectively a Bingo Card, but perhaps a slightly more emotive one. So I’ll explain a bit of what’s behind it.

I first got into comics through feminist criticism of comics. I’m a feminist. And I love comics. The two things for me are inseparable, and I make no apologies for it. Both are a part of who I am. I’m also a fan of superheroes and superhero comics.

When it comes to discussions about women in comics, sexism in superhero comics, and so forth, I’m always reading, sometimes linking, and commenting a bit here and there. If you pay attention for a while as a female (and possibly feminist) comics reader, and/or superhero fan, you start to hear the same things over and over again. It becomes predictable and repetitive pretty quickly.

Below I’ve expanded on what I’m talking about. It’s lengthy, so it’s behind a text cut.

EDIT: apparently “read more” text cuts don’t work on photo posts, so the full thing is HERE. Oh tumblr, you difficult thing, you.

Quote
"

The women upset about this image aren’t merely upset that Starfire has been reduced to a vapid, emotionless object for the visual pleasure of men. Fanservice ain’t gonna end the world, folks. Tits happen. However, the repeated promotion and distribution of these images and stories to the masses coupled with the lack of opportunities for women to give voice to their own viewpoints—and more importantly, have those viewpoints seen (shelf space) and heard (PR)—is infuriating. We’re depending on men to tell our stories for us because we are not hired to tell our own. Forgive us for being a little agitated when you use that power to depict us in a way that makes us look like morons. And collect a check and health insurance for it.

Several nationally distributed tales of a white man who is shown to be a slovenly idiot is not going to have negative repercussions for white men because they have the power to refute those images (and do) by bombarding the market with positive images that are also widely seen and heard. Several nationally distributed tales of a black woman who is shown to be a slovenly idiot is going to have negative repercussions for black women because there is only one black woman in a position to refute them and even she does not have the power or money to bombard the market with positive images. So, lo and behold, a stereotype is born decades later and very real women suffer the consequences for it in their personal lives.

We all have our biases. Luckily, bias sans power is toothless. I don’t want these images to go away. I don’t even want to scold those who enjoy them. I just want to strip the power from them.

Fight Starfire with Starfire.

"

- DigitalFemme (Go read the whole post.)

I think this might be my favourite commentary on this whole thing so far.

Photo
newyorker:


The Woman Who Is Obsessed with Her Career and Is No Fun at All
I  regularly work sixteen hours a day. Yet, like most people I know  who  are similarly busy, I’m a pleasant, pretty normal person. But  that’s not  how working women are depicted in movies. I’m not always  barking orders  into my hands-free phone device and yelling, “I have no  time for this!”  Often, a script calls for this uptight career woman to  “relearn” how to  seduce a man, and she has to do all sorts of crazy  degrading crap, like  eat a hot dog in a sexy way or something. And  since when does holding a  job necessitate that a woman pull her hair  back in a severe, tight bun?  Do screenwriters think that loose hair  makes it hard to concentrate.

- Mindy Kaling (Kelly Kapoor of “The Office”) on one of the many  specimens of women who exist in romantic comedies, but do not exist in  real life. Click here for the rest of Mindy’s guide to women in the movies. 

Mindy Kaling continues to be awesome.

newyorker:

The Woman Who Is Obsessed with Her Career and Is No Fun at All

I regularly work sixteen hours a day. Yet, like most people I know who are similarly busy, I’m a pleasant, pretty normal person. But that’s not how working women are depicted in movies. I’m not always barking orders into my hands-free phone device and yelling, “I have no time for this!” Often, a script calls for this uptight career woman to “relearn” how to seduce a man, and she has to do all sorts of crazy degrading crap, like eat a hot dog in a sexy way or something. And since when does holding a job necessitate that a woman pull her hair back in a severe, tight bun? Do screenwriters think that loose hair makes it hard to concentrate.

- Mindy Kaling (Kelly Kapoor of “The Office”) on one of the many specimens of women who exist in romantic comedies, but do not exist in real life.

Click here for the rest of Mindy’s guide to women in the movies.

Mindy Kaling continues to be awesome.

(via killsmedead)

Text

awyeahmona:

Call for Papers: Technology as Cure - Representations of Disability in Science Fiction

Contributions are invited for an essay collection on the representations of disability and the disabled body in science fiction. Technology is often characterized as a cure for the disabled body – one that either elides or exacerbates corporeal difference. From block buster films and televised space operas to cyberpunk and hard SF, disabled bodies are often modified and supported by technological interventions. How are dis/ability, medical “breakthroughs,” (bio) technologies, and the body theorized, materialized, and politicized in science fiction? This collection is particularly interested in the ways dis/abled bodies challenge normative discourses of ability, generate novel spaces of embodiment, and proliferate new understandings of human being.

Contributions are welcomed from both academic- and arts-based researchers and practitioners from a wide range of critical perspectives: literary studies, disability studies, feminist studies, science and technology studies, critical theory, race studies, queer studies, media studies, film studies, Aboriginal studies, cultural studies, and rhetoric studies. Papers may deal with the representation of disability in any form of popular genre SF: film, television, and print (including all SF subgenres i.e.: feminist SF, post-cyberpunk, hard SF, steampunk, etc.). All possible topics related to the representation of disability and disabled persons in SF are welcome: dis/ability, illness, technology as cure, prosthetics, diseased bodies/contagion, care of the self, alterations to the body, corporeal boundaries, environmental modifications, medical care, and alternative constructions of being.

Send a 300- to 500-word abstract, working title, and a brief bio, by email in a Word attachment, tokathryn@academiceditingcanada.ca before or on November 18, 2011. Inquiries are also welcome. Final papers should range in length from 5000-8000 words.

About the editor: Kathryn Allan received her PhD in English Literature from McMaster University (2010) studying feminist post-cyberpunk SF and theories of the vulnerable body. She currently is an independent SF scholar, working as a freelance writer and (academic) editor.

(Source: jhameia, via skalja)

Quote
"The whole delusion of she must be attempting to be seductive or she wouldn’t be wearing that / talking about this is at its core egotistical. And, fine, let’s say a woman is trying to be seductive. What the hell makes you think you’re the one she’s trying to seduce? And if you aren’t, what the hell makes you think you have any right to shove yourself into her business? Your thoughts are your own: you are free to notice her, think about her, fantasize, etc.–you are not free to involve her, through actions or words that disclose what’s going on in your pants, unless she specifically consents and makes it clear."

The Nonconsensual Sexualization of Unintending Young Women, by Nahida at The Fatal Feminist. (via skalja)

Quote
"Over the past 25 years, Muslim majorities have elected five women as heads of state in the Muslim world (Tansu Ciller in Turkey, Benazir Bhutto in Pakistan, Hasina Wajed and Khaleda Zia in Bangladesh, and Megawati Sukarnoputri in Indonesia). Notwithstanding our verbiage of female empowerment and liberation, we have yet to elect a single woman as president in the US. The Quran is the only sacred text that devotes an entire chapter to the rights of women. In fact, women in Europe could not inherit property independent of their husbands up until the 18th century. Islam over 1,400 years ago gave women the rights of inheritance, work, and hold public office. But the misperception of a Muslim woman that is veiled and oppressed guides our thinking."

— Dr. Ali M. Nizamuddin is a ISPU Fellow and an associate professor of political science at the University of Illinois Springfield. (via ffeimo)

(via ragnell)

Quote
"I thought to myself, after hearing of SlutWalk, about how much language and empowerment is racialized. How would the Mexican-American mothers I know feel about their daughters calling themselves whores? Or the Black mothers of friends react to their daughters calling themselves sluts? Probably not well. Many communities of color have had growing movements against anti-woman language for good reason. For communities of color, even those who aren’t expressly political, there’s a visceral reaction to name-calling aimed at women of color, who are seemingly always the targets of names whose historical, cultural, social and political edge white women will never confront. From ‘welfare queens‘ to ‘unwed mothers,’ images are almost always racial. As a Latino male, people who look like me (and Black men as well) are often the ones visualized when people think gender oppression. But white supremacy means Caucasians do not, for the most part, need to think about messaging regarding normalcy and deviance, or that people of color, especially women of color, have been subject to these issues all our lives. Historically, the masses of white women have not fought with women of color, but instead sided with white men in exchange for their own freedoms. In addition, there’s a painful history in which Black women were the sexual property of white men as legacies of slavery, which white women don’t have as part of their collective memory."

 

Four Brief Critiques of SlutWalk’s Whiteness, Privilege and Unexamined Power Dynamics

(via kahsennanoron)

I really appreciate the amount of critique that has been generated around Slutwalk. I am glad that these issues are being discussed fully by all who are affected by sexual oppression, and that the critiques presented prepare participants to be more careful, more inclusive, and more self-reflexive the next time they organize and participate in such an event.

There is, however, one aspect of these critiques that I’d like to comment on as being a multi-racial, queer woman. Many critiques I’ve read reach a consensus that the word “slut” is not something that affects all women equally, and I agree with all these critiques. I do not, however, agree that Slutwalk is necessary a movement for white women or the product of an endemic in white communities. I do not think that marches and events should be segregated, or that Slutwalk should be prefaced with a disclaimer that these are “white women’s problems” and that Slutwalk is of no use to women of colour and indigenous women. I think the critiques I’ve read that ask for such are misguided in what will best bring together women and make all communities feel safe and represented.

Intersections of gender, race, class and sexual orientation cannot be ignored when trying to overthrow sexual oppression and stop violence against women. I think Vancouver Slutwalk addressed these issues (although the education could have been more thorough) by having a number of speakers talk about what Slutwalk and similar movements mean to them and their communities. Nearly every speaker recognized that Vancouver is located on unceded Coast Salish territory. Nearly every speaker addressed how sexual violence is not equal between all women and women can be further oppressed for their races, professions, sexual orientations, their status in Canada, their many varied socio-political disadvantages. There were speakers of all ages, and several women of colour in order to try to educate the crowd gathered about the disparities between communities involved in this movement. The speakers also spoke at length about the word “slut” and what it can mean for different people. Some participants chose not to include the word on their signage and instead wrote messages that reflected their personal struggles and experiences of sexual oppression. One speaker in particular spoke extensively about why she felt the word “slut” was necessary — as a sex worker herself, she claimed that any patriarchical society has an inherent fear of women, and fear of sexuality. Together, she said, these phobias also make up a third phobia - whorephobia, wherein any expression of positive female sexuality is feared and punished. She said it is for that reason especially that words like “slut” and “whore” be re-appropriated, in order to shift society’s perspective of female sexuality — so that people understand that sex is nothing to fear, and that women’s sexualities belong to them and no one else: “Unless the sluts and whores are safe, no woman is safe”.

I do, however, understand that re-appropriation is not an option for everyone. For example, as an indigenous woman, I don’t think I would ever be able to walk in a SqawWalk. I think there is nothing to gain from that term, and that it is only ever used to oppress indigenous women and cannot and should not be reclaimed. I understand that a lot of people feel similarly about the word “slut”, often for cultural reasons, and very frequently for personal reasons. I do think that these events should acknowledge those differences, but still try to make the event as inclusive as possible. Because really, while the term “slut” can be every divisive and most certainly cannot be reclaimed by all women, I think the reason for Slutwalk is, for lack of a better word, universal — Women should not be ashamed of their sexualities. The society in which we live currently attempts to shame and blame women for sexual oppresion and violence and that is unacceptable. Women should have the freedom to express their sexualities without fear of violence, and NO MEANS NO regardless of what someone is wearing.

I feel like these are messages that nearly every woman can be on board with, and I think that solidarity makes events like this so much stronger. If the name of the event should be changed in order to make the event safer and more inclusive, than we should do it. All participants and speakers should be given the opportunity to discuss sexual violence and oppression and the ways in which it affects them in their communities. If that means some women use “slut” and others don’t, that is perfectly fine. After all, it is some women’s preferences to reclaim the term, and why should we be policing that action?

I am multi-racial. I am Indigenous, I am white, I am Latina. I am queer. I have been called a slut before and every time it was used, it had a different meaning. Sometimes the insult has been motivated by my race, my culture, and my sexuality. A few times, it was motivated by my hobbies and the way that I dance. Once it was because of my religion. My mother is from Brazil, and when she first moved to the small northern BC town in which we live, she was called “slut” many times — usually for her race, sometimes for her religion, many times for her accent, and like me, a few times for the way she dances. I feel comfortable re-appropriating “slut”. Those insults cannot hurt me the way they used to now that I am no longer ashamed and scared of my sexuality. That may not be the case for my mother, but I know she too is no longer ashamed of her sexuality. I would love for us to be able to march together, in solidarity, at the same event supporting women’s rights…especially if we both carried with us unique and differing stories and experiences of how we are affected by the word “slut”.

I think there can be a space for that kind of solidarity, and I hope we continue being self-reflexive so we can find it.

(via yarr-metis)

Well-worth reading different takes on the “SlutWalk” protests.

(via yarr-metis)

Tags: feminism